Artist Imran Qureshi’s Solo Show titled “The Seeming Endless Path of Memory” opens in Paris

Galerie Thaddaeus Ropac presents ‘The Seeming Endless Path of Memory’; an exhibition of international award-winning artist Imran Qureshi’s new work, in Paris, France.

Imran Qureshi’s practice is rooted in the tradition of 16th-century Mughal miniature art, encompassing figurative and abstract works on paper, painting and site-specific installation. Indeed, the exhibition title, The Seeming Endless Path of Memory, along with the titles of the works on display, echo the words of Pakistani poet Faiz Ahmed Faiz (1911-1984) which are prevailing throughout Qureshi’s work. They reveal various social and cultural connotations, and subtly reflect the threat of violence as a continuous motif.

Imran Qureshis

Resonating throughout the exhibition is the artist’s exploration of the infinite through the figure of the fold: the screen-like structure of his panel painting with dark layers of red or blue gradually transforming into light gold, the subtle changes of tonality appearing as one continuous course of action.

Elsewhere, Qureshi is drawing upon the tradition of action painting by welcoming gravity and improvisation into the artistic process: through direct physical engagement with the canvas, the act of painting becomes a performative part of the painting’s expression. Throughout Qureshi’s practice, the artist reflects on the symbolic meaning of numbers.

Imran Qureshis

The exhibition is further featuring a prominent series of miniature paintings depicting the Story of Two through finely painted trees that show a subtle unity and separation, akin to arteries of life juxtaposed against the self-portraits taking the position of a sole observer.

In various works throughout this exhibition, the artist is illustrating the historical idea of ‘heaven’ in opposition to violence and nature, an idea that proves crucial in the understanding of Imran Qureshi’s artistic universe.

 imran qureshi

Imran Qureshi’s works are modulated through a socio-political reflection on the precariousness and inherent violence of the contemporary world. Ultimately, whether presented in large-scale or in miniature formats, his works tend towards an aesthetic, religious and spiritual inquiry on the proximity of creation and destruction and recreation in all aspects of life – engaging the viewer on both a visceral and spiritual level.

Saman Siddiqui

Saman Siddiqui, A freelance journalist with a Master’s Degree in Mass Communication and MS in Peace and Conflict Studies. Associated with the media industry since 2006. Experience in various capacities including Program Host, Researcher, News Producer, Documentary Making, Voice Over, Content Writing Copy Editing, and Blogging, and currently associated with OyeYeah since 2018, working as an Editor.

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